HISTORY DIVE: The Magnificent Brihadeshwara Temple of Thanjavur
Thanjavur (Tanjavur or Tanjore) is a temple site in the Tamil Nadu region of southern India. Thanjavur was the capital of the great Chola (Cola) king Rajaraja I, and it was he who commissioned the site’s magnificent temple, the Brihadishvara, in the early 11th century CE. Many other temples and shrines were added over the centuries making Thanjavur one of the most important and most visited historical sites in India today. Thanjavur is listed by UNESCO as a World Heritage Site.
Also known as the Rajarajeshvara, after the king who built it, the Brihadishvara (or Brhadisvara) temple was constructed between c. 995 and 1025 CE using Chola war booty and tribute from Sri Lanka. The temple was dedicated to the Hindu god Shiva. Reaching a height of 63 metres, it is the tallest temple building in India. The entire rectangular complex measures approximately 140 x 75 metres and is surrounded by a wall with regular interior niches. Inside the compound are various secondary shrines and a monumental double gateway entrance (gopuras).
Rajaraja I Mural, thannjavur
Rararaja I (r. 985-1014 CE) and his son Rajendra I (r. 1012-1044 CE) both filled the temple with bronze sculpture, including images of the kings and their queens, upon which were hung precious jewellery. As indicated in inscriptions, the Cholas also paid for regular offerings of incense, food, and flowers and ensured that the temple was well-maintained by attendants and no fewer than 400 dancing girls – an increasingly important aspect of Hindu worship from that time onwards. Funds were also acquired by partitioning off the surrounding land which would be controlled by priests and the income used to upkeep the temple. Indeed, a whole community arose at the site and included accountants, merchants, and administrators, creating a model which would be copied at other Indian temple sites thereafter.
Monumental Gateway, Brihadeshwara Temple, Thanjavur
The temple architecture marvels at housing a myriad of surprises for everyone taking a look at this great temple. Another important architectural feature of the temple is that the shadow of the temple never falls on the ground at noon. The architecture of the temple is done so cleverly that the temple casts no shadow on the ground when the sun is at its peak. This is a phenomenon that attracts thousands of tourists and architectural enthusiasts from across the world to unravel the architectural mystery of the temple.
A study in Oriental architecture or history is certainly incomplete without a mention of the Tanjore Brihadeeshwara Temple or the Tanjore Periya Kovil (Big Temple). This imposing structure was built by Raja Raja Cholan and his sister Kundavai, both ardent devotees of Lord Shiva. It was constructed by the King at the height of the Chola reign to signify his power and strength. Here are a few facts not known about this Chola temple of Thanjavur:
(1) The original name of the deity was Rajarajeshwar. It was the Marathas who gave it the name Brihadeeshwara or the Great Ishwara.
(2) The main temple is entirely built of granite. More than 130,000 tons of granite is said to have been used to build it.
(3) A long associated myth with this temple temple is that the shadow of the main structure does not fall on the ground. However, this has been proven wrong by scientists.
(4) The statue of Nandi at the entrance of the temple is carved out of a single stone.
(5) The main Vimanam, which is at about 200 feet is often called Dakshin Meru or Southern Meru.
(6) The inspiration to build the temple came to Raja Raja Cholan during his visit to Sri Lanka and is a result of a dream he had.
(7) The temple has a portrait of Raja Raja Cholan paying obeisance to Lord Natarajar. This is undoubtedly, the first ever instance of a royal portrait.
(8) Inscriptions in the temple point towards Kunjara Mallan Raja Raja Perunthachan as the chief architect of the temple. His successors survive to this day and practice the art of Vastu or Vastu Shastra.
(9) Depictions of nartakis or dancers showing eighty one of hundred and eight karanas (synchronised movements of hands and feet) in Bharata Natyam are carved here. These karanas are a part of karanas mentioned in the Natya Shastra of Bharata Muni or Sage Bharata. There is also evidence that the temple was a platform for talented dancers to showcase their talent. These depictions are first of their kind.
(10) The inscriptions also mention the different kinds of jewels used in the period. Each of these jewels are mentioned in detail. A total of twenty three different types of pearls, eleven varieties of diamonds and rubies are mentioned in these inscriptions.
What astounds historians is that there was not a single granite quarry in about 100 km radius of the temple. This means that transporting these stones would have been a herculean task. But Raja Raja Cholan insisted on the use of these stones. All of these features make this Chola temple of Tanjore, a magnum opus of the Chola reign.
Brihadeshwara Temple is also the first all-granite temple in the world, and the fact that granites are not available within the 100-mile radius of the temple only makes it all the more astonishing. Granite is as heavy a stone to carry as it is to carve, but none of that seemed to have shied the king from realizing the temple the way he envisaged.
When the temple was built in AD 1010, it was the tallest temple in India hitherto, and it took only seven years to complete. The topmost structure of the temple, called Vimana, weighs around 80 tons, and it is a mystery how the builders got it up there. There are several musical pillars, which make different sounds when taped, at the temple. Upon visiting, anyone can understand that the temple is a brilliant testimonial of the opulence of grand South Indian architecture.
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